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| − | Alvaro García de Zúñiga's plays don’t have characters. His theatre is constructed by the actors who, using theatrical convention, interpret his texts and create a stage ready for a multiplicity of interpretations within which anything is possible. His works are, therefore, a variable geometry because they can be represented by one person or by many. | + | [[Alvaro García de Zúñiga]]'s plays don’t have characters. His theatre is constructed by the actors who, using theatrical convention, interpret his texts and create a stage ready for a multiplicity of interpretations within which anything is possible. His works are, therefore, a variable geometry because they can be represented by one person or by many. |
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Revision as of 18:11, 19 July 2009
Alvaro García de Zúñiga's plays don’t have characters. His theatre is constructed by the actors who, using theatrical convention, interpret his texts and create a stage ready for a multiplicity of interpretations within which anything is possible. His works are, therefore, a variable geometry because they can be represented by one person or by many.
The plays:
Le Théâtre n'est que du Cinéma | Theatre is nothing but cinema…
Théâtre Impossible | Impossible Theater
Lecture d'un texte pour le théâtre | Reading a text for the Theatre
Conférence de Presse | Press Conference
Pièce à Conviction | Corpus Delicti for soprano, saxophonist and jealous woman (wife?)
Exercices de Frustration | Exercises in Frustration
More about Alvaro García de Zúñiga's plays : en français 
and em português 
Digital edition of theater plays
, OR PORTUGUESE , there are also some contents in GERMAN and in SPANISH