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Working on it in an acoustic way was our purpose. | Working on it in an acoustic way was our purpose. | ||
| − | The method consisted on recording and adding sentences – starting with the first one – and then adding the second, and the third... in order to obtain first a solo, then duo, then a trio, then a quartet, and so on. Gradually perception becomes more and more difficult and eventually you lose it. Then starts the reverse process, from a multiplicity of voices back to a solo until the last sentence. | + | The method consisted on recording and adding sentences – starting with the first one – and then adding the second, and the third... in order to obtain first a solo, then a duo, then a trio, then a quartet, and so on. Gradually perception becomes more and more difficult and eventually you lose it. Then starts the reverse process, from a multiplicity of voices back to a solo until the last sentence. |
As it would be logically philosophical to expect. | As it would be logically philosophical to expect. | ||
Revision as of 00:03, 20 July 2009
Logicus & Philosophicus
A neutral voice starts reading Wittgenstein’s Tractatus Logico-Philisophicus
The Tractatus is a particular kind of book with a particular structure. (As you can see in the Tractatus’s map)
Working on it in an acoustic way was our purpose.
The method consisted on recording and adding sentences – starting with the first one – and then adding the second, and the third... in order to obtain first a solo, then a duo, then a trio, then a quartet, and so on. Gradually perception becomes more and more difficult and eventually you lose it. Then starts the reverse process, from a multiplicity of voices back to a solo until the last sentence. As it would be logically philosophical to expect.
Logicus & Philosophicus - dur. 20min.25sec.
for voice and Pro-Tools.
Directed by Alvaro García de Zúñiga and Pedro Coelho
with Alínea B. Issilva
for João Almeida /a coproduction with RDP- Antena 2