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[[Pièce a Conviction]] | Piece of Conviction for soprano, saxophonist and jealous woman (wife?)
 
[[Pièce a Conviction]] | Piece of Conviction for soprano, saxophonist and jealous woman (wife?)
 
 
(M)oral play
 
 
 
“A long long time ago, before putting an end to her days by throwing herself into a sausage maker while singing the final aria of Madame Butterfly backwards, the greatest diva of the Milan Kabuki Theatre, soprano Yo-Tampoko No-era, knew a man…”
 
- concert-reading by Yumi Nara, Daniel Kienty and Reina Portuondo, Festival Nova Musica, December 2004
 
  
  

Revision as of 11:11, 5 June 2007


Alvaro García de Zúñiga's plays don’t have characters. His theatre is constructed by the actors who, using theatrical convention, interpret his texts and create a stage ready for a multiplicity of interpretations within which anything is possible. His works are, therefore, a variable geometry because they can be represented by one person or by many.



The plays:


Le Théâtre n'est que du Cinéma | Theatre is nothing but cinema…


Sur Scène et Marne


Théâtre Impossible | Impossible Theater


Lecture d'un texte pour le théâtre | Reading of a text for the Theatre


Conférence de Presse | Press Conference


radiOthello


Pièce a Conviction | Piece of Conviction for soprano, saxophonist and jealous woman (wife?)


Exercices de Frustration | Exercises in Frustration


blablalab