| Line 15: | Line 15: | ||
“A long long time ago, before putting an end to her days by throwing herself into a sausage maker while singing the final aria of Madame Butterfly backwards, the greatest diva of the Milan Kabuki Theatre, soprano Yo-Tampoko No-era, knew a man…” | “A long long time ago, before putting an end to her days by throwing herself into a sausage maker while singing the final aria of Madame Butterfly backwards, the greatest diva of the Milan Kabuki Theatre, soprano Yo-Tampoko No-era, knew a man…” | ||
| + | |||
| + | |||
| + | Written and directed by [[Alvaro García de Zúñiga]] for the METATRIO | ||
- concert-reading by Yumi Nara, Daniel Kienty and Reina Portuondo, Festival Nova Musica, December 2004. | - concert-reading by Yumi Nara, Daniel Kienty and Reina Portuondo, Festival Nova Musica, December 2004. | ||
| − | Non visual opera created for the Woche des Hörspiels (radio play's week) of the Akademie der Kunste (Berlin Art Academy), April 2007. | + | - Non visual opera created for the Woche des Hörspiels (radio play's week) of the Akademie der Kunste (Berlin Art Academy), April 2007. |
| + | |||
| + | |||
| + | |||
| + | |||
Revision as of 09:42, 20 July 2009
Alvaro García de Zúñiga's plays
Pièce à Conviction / Corpus Delicti
(M)oral play
“A long long time ago, before putting an end to her days by throwing herself into a sausage maker while singing the final aria of Madame Butterfly backwards, the greatest diva of the Milan Kabuki Theatre, soprano Yo-Tampoko No-era, knew a man…”
Written and directed by Alvaro García de Zúñiga for the METATRIO
- concert-reading by Yumi Nara, Daniel Kienty and Reina Portuondo, Festival Nova Musica, December 2004.
- Non visual opera created for the Woche des Hörspiels (radio play's week) of the Akademie der Kunste (Berlin Art Academy), April 2007.
There is more information about Pièce à Conviction / Corpus Delicti
in Spanish 
, in French 
in German 
and in Portuguese 