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His first performative steps where meant to present himself and his acoustic phase and obliged him to embody into physical people. | His first performative steps where meant to present himself and his acoustic phase and obliged him to embody into physical people. | ||
| − | This happened for the first time in Lisbon with [[Leopold von Verschuer]] & [[Alínea B. Issilva]], in the Goethe Institut, he was '''Manuel unterüberzetzung''', spoken mainly in German and Portuguese. His recorded self, '''[[Manuel]]''''s radio trilogy, was spoken in dozens of languages, including middle | + | This happened for the first time in Lisbon with [[Leopold von Verschuer]] & [[Alínea B. Issilva]], in the Goethe Institut, he was '''Manuel unterüberzetzung''', spoken mainly in German and Portuguese. His recorded self, '''[[Manuel]]''''s radio trilogy, was spoken in dozens of languages, including middle Egyptian. |
| − | Some time latter, in Berlin, in 2006, at the Mustermesse of TheaterDiscount, the three "Manuels" (Alínea, Leopold & Alvaro) with the | + | Some time latter, in Berlin, in 2006, at the Mustermesse of TheaterDiscount, the three "Manuels" (Alínea, Leopold & Alvaro) with the complicity of some more friends produced a 4 hours long multilingual performance '''Manuel à Kreutzberg'''. Besides the radio play and the actors, this performance included also : music, talk show and graphic arts. In 2007 a similar model was used to present another of [[Alvaro García de Zúñiga|Alvaro's]] radio plays "'''[http://blablalab.net/de/index.php?title=Corpus_Delicti_-_Hörstück Corpus Delicti]'''" in the Akademie der Kunste where Mattias Breitenbach joined Alínea, Leopold & Alvaro, there was also the introduction of another visual element: a very animated power point. |
| − | Finally, in 2008, with Arnaud Churin and Emanuela Pace, Alvaro and Alínea define '''Manuel''' as a performative format polyphonic, multilingual, with a variable number of interpreters and media. '''[[Manuel]]''' | + | Finally, in 2008, with Arnaud Churin and Emanuela Pace, Alvaro and Alínea define '''Manuel''' as a performative format polyphonic, multilingual, with a variable number of interpreters and media. '''[[Manuel]]''' oficially becomes '''[[Manuel sur Scene|Manuel on Stage]]''' at Lille under the form of a quintet, at the Théâtre Le Prato, en 2008, and in 2009 in Paris (with 8, 11 and 23 interpreters), at the Maison de la Poésie and then in Lisbon, at the Teatro Taborda (quintet). |
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| − | '''Manuel''' expects that his old age will be a | + | '''Manuel''' expects that his old age will be a literary one... |
Revision as of 13:52, 16 July 2009
Manuel sur Scène – rehearsal at the Maison de la Poésie, Paris, 10th mai 2009, with Alínea B. Issilva, Luciana Botelho, Wénic Dominique Pierre Béaruné, Arnaud Churin, Yaël Elhadad, Rocco Giordano, Zakariya Gouram, Daniel Kientzy, Felhyt Kimbirima, Johanna Korthals Altes, Marie Kraft, Emma Morin, Emanuela Pace, Dominique Parent, Eric Pessan, Sophie Plattner, Denis Pourawa, Myrto Procopiou, Guillaume Rannou]], Yves Rousguisto]], Nicolas Struve, Leopold von Verschuer, Liu Yan
Manuel is a building yard par Arnaud Churin
Manuel's actual structure: a performative project
After a first childhood as an art piece and an intense adolescence as an acoustic play, Manuel is now a young adult who does not hesitate to use any media or language to express himself.
His first performative steps where meant to present himself and his acoustic phase and obliged him to embody into physical people.
This happened for the first time in Lisbon with Leopold von Verschuer & Alínea B. Issilva, in the Goethe Institut, he was Manuel unterüberzetzung, spoken mainly in German and Portuguese. His recorded self, Manuel's radio trilogy, was spoken in dozens of languages, including middle Egyptian.
Some time latter, in Berlin, in 2006, at the Mustermesse of TheaterDiscount, the three "Manuels" (Alínea, Leopold & Alvaro) with the complicity of some more friends produced a 4 hours long multilingual performance Manuel à Kreutzberg. Besides the radio play and the actors, this performance included also : music, talk show and graphic arts. In 2007 a similar model was used to present another of Alvaro's radio plays "Corpus Delicti" in the Akademie der Kunste where Mattias Breitenbach joined Alínea, Leopold & Alvaro, there was also the introduction of another visual element: a very animated power point.
Finally, in 2008, with Arnaud Churin and Emanuela Pace, Alvaro and Alínea define Manuel as a performative format polyphonic, multilingual, with a variable number of interpreters and media. Manuel oficially becomes Manuel on Stage at Lille under the form of a quintet, at the Théâtre Le Prato, en 2008, and in 2009 in Paris (with 8, 11 and 23 interpreters), at the Maison de la Poésie and then in Lisbon, at the Teatro Taborda (quintet).
Up to now have participated to this Manueliade : Wénic Dominique Pierre Béaruné (New Caledonia), Alínea Berlitz Issilva (Portugal), Luciana Botelho (Brasil), Matthias Breitenbach (Germany), Arnaud Churin (France), Yaël Elhadad (Israel), Rocco Giordano (Naples), Zakariya Gouram (France), Oliver Grajewski (Germany), Daniel Kientzy (France), Felhyt Kimbirima (Congo Republic), Johanna Korthals Altes (Holande), Marie Kraft (Suède), Millaray Lobos (Chile), Elizabeth Mazev (Bulgaria), Maria de Medeiros (Portugal), Emma Morin (Colombia), Emanuela Pace (Italy), Dominique Parent (France), Eric Pessan (France), Denis Podalydès (France), Sophie Plattner (Switzerland), Myrto Procopiou (Greece/Egypt), Denis Pourawa (New Caledonia), Guillaume Rannou (France), Yves Rousguisto (France), Nicolas Struve (France/Russia), Leopold von Verschuer (Germany), Bo Wiget (Germany), Liu Yan (China).
Manuel born as a piece of art that became acoustic before jumping on Stage is essentially multidisplinary and willing to absorb every available element, audio and/or video tools, as well as any other tool, object or device suitable to each specific performance.
Manuel expects that his old age will be a literary one...
"Manuels sur Scène" déjà réalisés:
I) Manuel sur Scène au Théâtre Le Prato, Lille, 4 mars 2008
avec : Arnaud Churin, Millaray Lobos, Dominique Parent, Emanuela Pace et Alínea B. Issilva et aussi : ukelele, radio, micro, utensiles de nétoyage et autres instruments.
II) Manuel sur Scène à la Maison de la Poésie, Paris, 8 mai 2009
avec : Myrto Procopiou, Emanuela Pace, Alínea B. Issilva, Leopold von Verschuer, Dominique Parent, Arnaud Churin, Guillaume Rannou, Wénic Dominique Pierre Béaruné, Yves Rousguisto et ses les cougourdes sonores, ukelele, utensiles de nétoyage et autres instruments. Projection du film " InfraAction" avec Elizabeth Mazev
III) Manuel (sur Scène) de sol et tubes à la Maison de la Poésie, Paris, 9 mai 2009
avec Myrto Procopiou, Emanuela Pace, Alínea B. Issilva, Leopold von Verschuer, Dominique Parent, Arnaud Churin, Guillaume Rannou, Wénic Dominique Pierre Béaruné, Maria de Medeiros – invitée spéciale, Yves Rousguisto et ses cougourdes sonores Daniel Kientzy et ses saxophones, l'ukelele et le micro.
Projection du film "O Cara é K" avec Denis Podalydès
IV) Feu Manuel (sur Scène) Vive l'artifice à la Maison de la Poésie, Paris, 10 mai 2009
avec Alínea Berlitz Issilva, Luciana Botelho, Wénic Dominique Pierre Béaruné, Arnaud Churin, Yaël Elhadad, Rocco Giordano, Zakariya Gouram, Felhyt Kimbirima, Johanna Korthals Altes, Marie Kraft, Emma Morin, Emanuela Pace, Dominique Parent, Eric Pessan, Sophie Plattner, Denis Pourawa, Myrto Procopiou, Guillaume Rannou, Nicolas Struve, Leopold von Verschuer, Liu Yan, Yves Rousguisto et les cougourdes sonores Daniel Kientzy et ses saxophones
V) Manuel sur Scène à Lisbonne, carrefour des mondes, Teatro Taborda, 23 et 24 mai 2009
avec : Arnaud Churin, Myrto Procopiou, Dominique Parent, Emanuela Pace et Alínea B. Issilva et aussi : ukelele, plusieurs radios, micro, et autres petits instruments.
Manuel (sur Scène) de sol et tubes à la Maison de la Poésie, Paris, 9 mai 2009 avec Myrto Procopiou, Emanuela Pace, Alínea B. Issilva, Leopold von Verschuer, Dominique Parent, Arnaud Churin, Guillaume Rannou, Wénic Dominique Pierre Béaruné et une participation spéciale de Maria de Medeiros, les cougourdes sonores d'Yves Rousguisto, les saxophones de Daniel Kientzy - ainsi que, en différé et projection: Denis Podalydès
voir aussi :
A propos de Manuel sur Scène par AGZ
Manuel à la Maison de la Poésie, ou Manuel de poésie-maison &