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| + | About Alvaro: | ||
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| + | “Alvaro makes neither theatre nor literature, nor cinema, nor music, nor plastic art. He simply makes Alvaroisms. This is also useful for his approach to the first principal material with which he works: language. His preference is, without doubt, French because it makes him feel resolutely alien. And he enjoys this feeling of strangeness to which he gives his voice, gives voice. He also likes the “I” with which he constantly plays, as we can see, for example, in perusing the dedication that he made to himself in the piece “Manuel”: “to myself, because the only time that we spoke of my skill we removed the sk, and left the ill” Teresa Albuquerque | ||
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Revision as of 16:44, 6 April 2007
About Alvaro:
“Alvaro makes neither theatre nor literature, nor cinema, nor music, nor plastic art. He simply makes Alvaroisms. This is also useful for his approach to the first principal material with which he works: language. His preference is, without doubt, French because it makes him feel resolutely alien. And he enjoys this feeling of strangeness to which he gives his voice, gives voice. He also likes the “I” with which he constantly plays, as we can see, for example, in perusing the dedication that he made to himself in the piece “Manuel”: “to myself, because the only time that we spoke of my skill we removed the sk, and left the ill” Teresa Albuquerque